The story of "Wild Bill," as told in Harper's for February is not easily credited hereabouts. To those of us who were engaged in the campaign it sounds mythical; and whether Harry York, Buckskin Joe or Ben Nugget is meant in the life sketches of Harper we are not prepared to say.
The scout services were so mixed that we are unable to give precedence to any. "Wild Bill's" exploits at Springfield have not as yet been heard of here, and if under that cognomen such brave deeds occurred we have not been given the relation.
There are many of the rough riders of the rebellion now in this city whose record would compare very favorably with that of "Wild Bill," and if another account is wanted we might refer to Walt Sinclair.
Springfield is excited. It has been so ever since the mail of the 25th brought Harper's Monthly to its numerous subscribers here. The excitement, curiously enough, manifests itself in very opposite effects upon our citizens. Some are excessively indignant, but the great majority are in convulsions of laughter, which seem interminable as yet.
The cause of both abnormal moods, in our usually placid and quiet city, is the first article in Harper for February, which all agree, if published at all, should have had its place in the "Editor's Drawer," with the other fabricated more or less funnyisms; and not where it is, in the leading "illustrated" place. But, upon reflection, as Harper has given the same prominence to "Heroic Deeds of Heroic Men," by Rev. J. T. Headley, which, generally, are of about the same character as its article "Wild Bill," we will not question the good taste of its "make up."
We are importuned by the angry ones to review it. "For," say they, "it slanders our city and citizens so outrageously by its caricatures, that it will deter some from immigrating here, who believe its representations of our people."
"Are there any so ignorant?" we asked.
"Plenty of them in New England; and especially about the Hub, just as ready to swallow it all as Gospel truth, as a Johnny Chinaman or Japanese would be to believe that England, France and America are inhabited by cannibals."
"Don't touch it," cries the hilarious party, "don't spoil a richer morceaux than ever was printed in Gulliver's Travels, or Baron Munchausen! If it prevents any consummate fools from coming to Southwest Missouri, that's no loss."
So we compromise between the two demands, and give the article but brief and inadequate criticism. Indeed, we do not imagine that we could do it justice, if we made ever so serious and studied an attempt to do so.
A good many of our people - those especially who frequent the bar rooms and lager-beer saloons, will remember the author of the article, when we mention one "Colonel" G. W. Nichols, who was here for a few days in the summer of 1865, splurging around among our "strange, half-civilized people," seriously endangering the supply of lager and corn whisky, and putting on more airs than a spotted stud-horse in the ring of a county fair.
He's the author!
And if the illustrious holder of one of the "Brevet" commissions which Fremont issued to his wagon-masters, will come back to Springfield, two-thirds of all the people he meets will invite him "to pis'n hisself with suth'n" for the fun he unwittingly furnished them in his article - the remaining one-third will kick him wherever met, for lying like a dog upon the city and people of Springfield.
James B Hickok, (not "William Hitchcock," as the "Colonel" mis-names his hero,) is a remarkable man, and is as well known here as Horace Greely in New York, or Henry Wilson in "the Hub."
The portrait of him on the first page of Harper for February, is a most faithful and striking likeness - features, shape, posture and dress - in all it is a faithful reproduction of one of Charley Scholten's photographs of "Wild Bill," as he is generally called.
No finer physique, no greater strength, no more personal courage, no steadier nerves, no superior skill with the pistol, no better horsemanship than his, could any man of the million Federal soldiers of the war, boast of; and few did better or more loyal service as a soldier throughout the war.
But Nichols "cuts it very fat" when he describes Bill's teats in arms. We think his hero only claims to have sent a few dozen rebs to the farther side of Jordan; and we never, before reading the "Colonel's" article, suspected he had dispatched "several hundreds with his own hands."
But it must be so, for the "Colonel" asserts it with a parenthesis of genuine flavorous Bostonian piety, to assure us of his incapacity to utter an untruth.
Atchinson Daily Champion (5th February, 1867)
"Wild Bill" is, as stated in the Magazine, a splendid specimen of physical manhood, and is a dead shot with a pistol. He is a very quiet man, rarely talking to any one, and not of a quarrelsome disposition, although reckless and desperate when once involved in a fight. There are a number of citizens of this city who know him well.
Nichols' sketch of 'Wild Bill' is a very readable paper, but the fine descriptive powers of the writer have been drawn upon as largely as facts, in producing it. There are dozens of men on the Overland Line who are probably more desperate characters than Hickok, and are the heroes of quite as many and as desperate adventures.
The wild West is fertile in 'Wild Bills.' Charley Slade, formerly one of the division Superintendents on the O. S. Line, was probably a more desperate, as well as a cooler man than the hero of Harper's, and his fight at his own ranch was a much more terrible encounter than that of 'Wild Bill' with the McKandles gang.
Henry M. Stanley, St. Louis Missouri Democrat (4th April, 1867)
James Butler Hickok, commonly called "Wild Bill," is one of the finest examples of that peculiar class known as frontiersman, ranger, hunter, and Indian scout. He is now thirty-eight years old, and since he was thirteen the prairie has been his home. He stands six feet one inch in his moccasins, and is as handsome a specimen of a man as could be found.
We were prepared, on hearing of "Wild Bill's" presence in the camp, to see a person who might prove to be a coarse and illiterate bully. We were agreeably disappointed however.
He was dressed in fancy shirt and leathern leggings. He held himself straight, and had broad, compact shoulders, was large chested, with small waist, and well-formed muscular limbs.
A fine, handsome face, free from blemish, a light moustache, a thin pointed nose, bluish-grey eyes, with a calm look, a magnificent forehead, hair parted from the centre of the forehead, and hanging down behind the ears in wavy, silken curls, made up the most picturesque figure.
He is more inclined to be sociable than otherwise; is enthusiastic in his love for his country and Illinois, his native State; and is endowed with extraordinary power and agility, whose match in these respects it would be difficult to find.
Having left his home and native State when young, he is a thorough child of the prairie, and inured to fatigue. He has none of the swaggering gait, or the barbaric jargon ascribed to the pioneer by the Beadle penny-liners.
On the contrary, his language is as good as many a one that boasts "college laming." He seems naturally fitted to perform daring actions. He regards with the greatest contempt a man that could stoop low enough to perform "a mean action." He is generous, even to extravagance. He formerly belonged to the 8th Missouri Cavalry.
The following dialogue took place between us; "I say, Mr. Hickok, how many white men have you killed to your certain knowledge?"
After a little deliberation, he replied, "I suppose I have killed considerably over a hundred."
"What made you kill all those men? Did you kill them without cause or provocation?"
"No, by heaven I never killed one man without good cause."
"How old were you when you killed the first white man, and for what cause?"
"I was twenty-eight years old when I killed the first white man, and if ever a man deserved lolling he did. He was a gambler and counterfeiter, and I was then in an hotel in Leavenworth City, and seeing some loose characters around, I ordered a room, and as I had some money about me, I thought I would retire to it.
I had lain some thirty minutes on the bed when I heard men at my door. I pulled out my revolver and bowie knife, and held them ready, but half concealed, and pretended to be asleep. The door was opened, and five men entered the room. They whispered together, and one said, "Let us kill the son of a bitch; I'll bet he has got money."
"Gentlemen," said he, "that was a time - an awful time. I kept perfectly still until just as the knife touched my breast; I sprang aside and buried mine in his heart, and then used my revolver on the others right and left.
One was killed, and another was wounded; and then, gentlemen, I dashed through the room and rushed to the fort, where I procured a lot of soldiers, and returning to the hotel, captured the whole gang of them, fifteen in all.
We searched the cellar, and found eleven bodies buried in it - the remains of those who had been murdered by those villains."
Turning to us, he asked: "Would you not have done the same? That was the first man I killed, and I never was sorry for that yet."
|HARPER'S DEPICTION OF HICKOK AND DAVE TUTT |
BEFORE THEIR GUNFIGHT
"Wild Bill," who is an inveterate hater of the Indians, was chased by six Indians lately, and had quite a little adventure with them. It is his custom to be always armed with a brace of ivory-handled revolvers, with which weapons he is remarkably dexterous; but when bound on a long and lonely ride across the plains, he goes armed to the teeth.
He was on one of these lonely missions, due to his profession as scout, when he was seen by a group of the red men, who immediately gave chase.
They soon discovered that they were pursuing one of the most famous men of the prairie, and commenced to retrace their steps, but two of them were shot, after which Wild Bill was left to ride on his way.
The little adventure is verified by a scout named Thomas Kincaid.
|HICKOK'S PISTOLS ON DISPLAY IN A MUSEUM|